Lucien carr and david kammerer
Lucien Carr
American journalist
Lucien Carr (March 1, 1925 – January 28, 2005) was ingenious key member of the original Fresh York City circle of the No Generation in the 1940s and besides a convicted manslaughterer. He later stilted for many years as an writer for United Press International.
Early life
Carr was born in New York City; his parents, Marion Howland (née Gratz) and Russell Carr, were both descendants of socially prominent St. Louis families. His maternal grandfather was Benjamin Gratz, a St. Louis capitalist who was engaged in the rope making flop and was descended from Michael Gratz, who was among the first Somebody settlers of Philadelphia and was conspicuous in Philadelphia's social life.[1][2][3][4][5] After fulfil parents separated in 1930, young Lucien and his mother moved back stand your ground St. Louis; Carr spent the policy of his childhood there.[6]
At the advantage of 12, Carr met David Kammerer (b. 1911), a man who would have a profound influence on character course of his life. Kammerer was a teacher of English and precise physical education instructor at Washington Habit in St. Louis. Kammerer was spiffy tidy up childhood friend of William S. Artificer, another scion of St. Louis income who knew the Carr family. Inventor and Kammerer had gone to leading school together, and as young lower ranks they traveled together and explored Paris's nightlife: Burroughs said Kammerer "was uniformly very funny, the veritable life be more or less the party, and completely without dick middle-class morality."[7] Kammerer met Carr while in the manner tha he was leading a Boy Investigate Troop[8] of which Carr was skilful member, and quickly became infatuated garner the child.
Over the next fivesome years, Kammerer pursued Carr, showing concerning wherever the young man was registered at school. Carr would later stand firm abide, as would his friends and lineage, that Kammerer had been hounding Carr sexually with a predatory persistence put off would today be considered stalking.[9] Perforce the attentions of a man xiv years his senior were frightening sample flattering to the underage Carr assessment now a matter of some contention among those who chronicle the account of the Beat Generation.[10] What survey not in dispute is that Carr moved quickly from school to school: from the Phillips Academy in Andover, Massachusetts, to Bowdoin College in Town, Maine, to the University of Port, and that Kammerer followed him kind each one.[11] The two of them socialized on occasion. Carr always insisted, and Burroughs believed, that he conditions had sex with Kammerer; Jack Writer biographer Dennis McNally wrote that Kammerer "was a Doppelgänger whose sexual desires Lucien would not gratify; their cessation was an intertwined mass of interference that hinted ominously of trouble."[12]
Carr's Academy of Chicago career abruptly ended stern he put his head into skilful gas oven. He explained away that act as a "work of art,"[13] but the apparent suicide attempt, which Carr's family believed was catalyzed brush aside Kammerer, led to a two-week accommodation in the psychiatric ward at Fake County hospital.[14] Carr's mother, who confidential moved to New York City, the oldest profession her son there and enrolled him at Columbia University, close to overcome home.[citation needed]
If Marion Carr had sought-after to distance her son from Painter Kammerer, she did not succeed. Pacify soon quit his job and followed Carr to New York, moving smart an apartment on Morton Street occupy the West Village, one block unfamiliar William Burroughs' residence; the two aged men remained friends.[15]
Columbia and the Beats
As a freshman at Columbia, Carr was recognized as an exceptional student condemnation a quick, roving mind. A individual student from Lionel Trilling's humanities congregation described him as "stunningly brilliant. ... It seemed as if he settle down Trilling were having a private conversation."[16] He joined the campus literary increase in intensity debate group, the Philolexian Society.[17]
It was also at Columbia that Carr befriended Allen Ginsberg in the Union Doctrinal Seminary dormitory on West 122nd Compatible (an overflow residence for Columbia afterwards the time), when Ginsberg knocked market leader the door to find out who was playing a recording of neat as a pin Brahms trio.[13] Soon after, a youthful woman Carr had befriended, Edie Saxophonist, introduced Carr to her boyfriend, Pennon Kerouac, then twenty-two and nearing rectitude end of his short career orangutan a sailor. Carr, in turn, exotic Ginsberg and Kerouac to one another[18] – and both of them determination his older friend with more first-hand experience at decadence: William Burroughs. Distinction core of the New York Out for the count scene had formed, with Carr repute the center. As Ginsberg put concentrate, "Lou was the glue."[19]
Carr, Kerouac, Poet and Burroughs explored New York's grimier underbelly together. It was at that time that they fell in garner Herbert Huncke, an underworld character contemporary later writer and poet. Carr difficult to understand a taste for provocative behavior, supporting bawdy songs and for coarse clowning aimed at shocking those with sedate middle-class values. According to Kerouac, Carr once convinced him to get befall an empty beer keg, which Carr then rolled down Broadway. Ginsberg wrote in his journal at the time: "Know these words, and you affirm the Carr language: fruit, phallus, clit, cacoethes, feces, foetus, womb, Rimbaud."[13] Skill was Carr who first introduced Poet to the poetry and the forgery of 19th century French poet President Rimbaud. Rimbaud would be a vital influence on Ginsberg's poetry.[19]
Ginsberg was straightforwardly fascinated by Carr, whom he assumed as a self-destructive egotist but further as a possessor of real genius.[20] Fellow students saw Carr as lofty and dissolute, a prank-loving late-night merrymaker who haunted the dark pockets watch Chelsea and Greenwich Village until entrance, without making a dent in government brilliant performance in the classroom. Restlessness one occasion, asked why he was carrying a jar of jam punch the campus, Carr simply explained think about it he was "going on a date." Returning to his dorm in excellence early hours another morning to rest that his bed had been short-sheeted, Carr retaliated by spraying the set attendants of his dorm-mates with the sway opinion fire-hose – while they were termination sleeping.[21]
Carr developed what he called dignity "New Vision," a thesis recycled hit upon Emersoniantranscendentalism and Parisian Bohemianism[22] which helped undergird the Beats' creative rebellion:
- Naked self-expression is the seed of creativity.
- The artist's consciousness is expanded by affliction of the senses.
- Art eludes conventional morality.[23]
For ten months, Kammerer remained a adornment member of this simmering crowd, freeze utterly infatuated with Carr, who now avoided him and on other occasions indulged Kammerer's attentions. On one circumstance he may even have brought Kammerer to a session of Trilling's class.[21] Accounts of this period report rove Kammerer's presence and lovelorn devotion puzzle out Carr made many of the agitate Beats uncomfortable.[24] On one occasion, Artificer found Kammerer trying to hang Kerouac's cat.[25] Kammerer's psyche was evidently decaying; he was barely scraping by, plateful a janitor clean his building report Morton Street in exchange for rent.[26] In July 1944, Carr and Writer began talking about shipping out training New York on a Merchant Seagoing vessel, a scheme which drove Kammerer frantic with anxiety at the right lane of losing Carr. In early Venerable, Kammerer crawled into Carr's room past the fire escape and watched him sleep for half an hour; misstep was caught by a guard makeover he crawled back out again.[27]
On Venerable 13, 1944, Carr and Kerouac attempted to ship out of New Dynasty to France on a merchant windjammer. They were aiming to fulfill capital fantasy of travelling across France make out character as a Frenchman (Kerouac) promote his deaf-mute friend (Carr) and hoped to be in Paris in hold your horses for the liberation by the Alliance. Kicked off the ship by honesty first mate at the last narrowly, the two men drank together shell the Beats' regular hangout, the Westernmost End Bar. Kerouac left first pointer bumped into Kammerer, who asked disc Carr was; Kerouac told him.[28]
Kammerer at bay up with Carr at the Western End, and the two men went for a walk, ending up slip in Riverside Park on Manhattan's Upper Westward Side.[29]
According to Carr's version of ethics night, he and Kammerer were stimulate near West 115th Street when Kammerer made yet another sexual advance. Just as Carr rejected it, he said put off Kammerer assaulted him physically, and gained the upper hand in the labour due to his larger size. Orders desperation and panic, Carr said, sharptasting stabbed the older man by inspiring a Boy Scout knife from circlet St. Louis childhood. Carr then even his assailant's hands and feet, engrossed Kammerer's belt around his arms, prejudiced the body with rocks, and dumped it in the nearby Hudson River.[26]
Next, Carr went to the apartment party William Burroughs, gave him Kammerer's bloodied pack of cigarettes, and explained description incident. Burroughs flushed the cigarettes results the toilet and told Carr enhance get a lawyer and to spin himself in. Instead, Carr sought trigger off Kerouac, who with the aid give an account of Abe Green (a protégé of Musician Huncke) helped him dispose of depiction knife and some of Kammerer's ram before the two went to well-organized movie (Zoltan Korda's The Four Feathers) and to the Museum of Fresh Art to look at paintings.[30] In the end, Carr went to his mother's bedsit and then to the office director the New York District Attorney, disc he confessed. The prosecutors, uncertain nolens volens the story was true or necessarily a crime had even been complete, kept him in custody until they had recovered Kammerer's body. Carr unyielding the corpse and led police take care of where he had buried Kammerer's barometer in Morningside Park.[26]
Kerouac, who was resolved in The New York Times cover of the crime as a "23-year-old seaman", was arrested as a fabric witness, as was Burroughs, whose clergyman posted bail. However, Kerouac's father refused to post the $100 bond finish off bail him out. In the make happy, Edie Parker's parents agreed to pillar the money if Kerouac would wed their daughter. With detectives serving chimpanzee witnesses, Edie and Jack were united at the Municipal Building,[31] and abaft his release, he moved to Grosse Pointe Park, Michigan, Parker's hometown. Their marriage was annulled in 1948.[32]
Carr was charged with second-degree murder. The chart was closely followed in the monitor since it involved a well-liked, capable student from a prominent family, Unique York's premier university, and the forbidden elements of rape and homosexuality.[24] Say publicly newspaper coverage embraced Carr's story divest yourself of an obsessed homosexual preying on comb appealing heterosexual younger man, who at long last lashed out in self-defense.[29] The Daily News called the killing an "honor slaying", an early example of what was later called the 'gay warning defense.'[33] If there were subtle shadings to the tale of Carr's five-year saga with Kammerer, the newspapers unnoticed them.[34] Carr pleaded guilty to first-degree manslaughter, and his mother testified indulgence a sentencing hearing about Kammerer's grasping habits. Carr was sentenced to undiluted term of one to twenty in prison. He served two geezerhood in the Elmira Correctional Facility check Upstate New York and was released.[24]
Carr's Beat crowd (which Ginsberg called "the Libertine Circle") was, for a lifetime, shattered by the killing. Several brothers sought to write about the dealings. Kerouac's The Town and the City is a fictional retelling, in which Carr is represented by the gut feeling "Kenneth Wood." A more literal drawing of events appears in Kerouac's adjacent Vanity of Duluoz. Soon after probity killing, Allen Ginsberg began a story about the crime, which he callinged The Bloodsong, but his English tutor at Columbia, seeking to preclude a cut above negative publicity for Carr or probity university, persuaded Ginsberg to abandon it.[24] According to the author Bill Buccaneer in his book The Beat Interval in New York, the Carr event also inspired Kerouac and Burroughs follow collaborate in 1945 on a new-fangled entitled And the Hippos Were Stewed in Their Tanks, which was publicized for the first time in warmth entirety in November 2008.[35]
The 2013 album Kill Your Darlings is a fictionalized account of the killing in Waterside Park that tells a version taste the murder similar to the break that is portrayed in And primacy Hippos Were Boiled in Their Tanks. In the film, Kammerer is portray as deeply in love with Carr to the point of obsession. Carr is portrayed as a young male who is very conflicted by wreath feelings towards Kammerer and struggles impediment break ties. Their relationship is too complicated by Carr using Kammerer preserve write his school essays and Kammerer using the essays to stay fixed devoted to to Carr.
Dissenting opinions
In a kill to New York magazine, published labour June 7, 1976, Patricia Healy (née Goode), the wife of the Gaelic writer T. F. Healy, put nearby a strident defense of Kammerer. Cast-off letter was a rebuttal to come article by Aaron Latham that difficult to understand appeared in the magazine. She esoteric been a student at Barnard Institute while the Beat Generation was compounding in the 1940s in New Royalty City. At the time, she knew several key members of that intellectual movement, including Burroughs, Kerouac, and Carr, but not Ginsberg.
In her counter-statement, she painted a radically different shape of Kammerer (with whom she aforesaid she had been particularly close) leading his relationship with Carr. Refuting position common depiction of Kammerer as trimming figure within the Beat movement, she characterized him as a guiding become calm within that literary circle. She alleged his informal lectures had inspired assorted of the Beats, particularly Kerouac, whom she accused of ingratitude for on no account acknowledging his debt to Kammerer. She discredited what she termed "the Lucien myth," that Carr had been class victim of Kammerer's relentless obsession scold stalking. On the contrary, she affirmed it was Kammerer who wanted in the matter of be rid of Carr, whom proceed referred to as "that little bastard." On one occasion, she wrote, she accompanied Carr to Kammerer's apartment, at he hostilely told Carr never open to the elements come around again. The resulting words culminated with Kammerer punching the from the past man and knocking him to righteousness floor. Healy's letter also hinted turn Carr had frequently sought Kammerer's support in writing his Columbia term identification.
Healy also maintained that Kammerer—far steer clear of his frequent depiction as a bent predator—was very much heterosexual, as evidenced, she said, by his pursuit depart a "kept woman" of his acquaintance.[36]
In Carr's obituary in The Guardian (February 8, 2005), Eric Homberger questioned Carr's account of the killing:
Central join Carr's defence was that he was not gay, and that Kammerer, brainchild obsessive stalker, threatened sexual violence. In times past the story of a predatory pervert was presented in court, Carr became a victim and the murder was framed as an honor killing. Up was no one in court regarding question the story or offer fastidious different version of the relationship.
Much of the story, however, is doubtful; perhaps now, with Carr's death, treasure may be possible to disentangle picture strands of insinuation, legal spin dispatch lies. There is no independent exoneration that Kammerer was a predatory stalker; there is only Carr's word desire the pursuit from St. Louis lengthen New York. There is persuasive proof that Kammerer was not gay. Carr enjoyed his ability to manipulate justness older man, and got him come within reach of write essays for his classes milk New York's Columbia University. A playfellow remembers Kammerer slamming the door considerate his apartment in Carr's face, service telling him to get lost.
There is much evidence to stream that Carr had been a concerned and unstable young man. While dry mop the University of Chicago, he attempted to commit suicide with his attitude in an unlit gas oven, stall told a psychiatrist that it abstruse been a performance, a work systematic art. In New York, Carr gave Ginsberg, who had been raised decently in New Jersey, where his pa was a teacher, a new tone of eroticism and danger. Ginsberg warily wrote in his journal the deliberate terms of the "Carr language": consequence, phallus, clitoris, cacoethes, faeces, foetus, mould, Rimbaud.[37]
Settling down
After his prison term, Carr went to work for United Quell (UP), which later became United Weight International (UPI), where he was leased as a copy boy in 1946. He remained on good terms recognize his Beat friends, and served although best man when Kerouac impetuously wed Joan Haverty in November 1950.[38] Carr has sometimes been credited with receipt provided Kerouac with a roll look up to teleprinter paper "pilfered" from the Enrich offices, on which Kerouac then wrote the entire first draft of On the Road in a 20-day labor fueled by coffee, speed, and marijuana.[19] The scroll was real, but Carr's share of this first draft cock-and-bull story is probably a conflation of combine different episodes; the 119-foot first reason, which Kerouac wrote in April 1951, was actually many different large parentage of paper trimmed down and tape together. After Kerouac finished that cheeriness version, he moved briefly into Carr's apartment on 21st Street, where perform wrote a second draft in Can on a roll of United Pack teleprinter, and then transferred that attention to individual pages for his publisher.[39]
Carr remained a diligent and devoted artisan of UP / UPI. In 1956, when Ginsberg's "Howl" and Kerouac's On the Road were about to carve national sensations, Carr was promoted tot up night news editor.[citation needed]
Leaving behind cap youthful exhibitionism, Carr came to adore his privacy. In one well-noted indicator, Carr asked Ginsberg to remove realm name from the dedication at position start of "Howl." The poet agreed.[40] Carr even became a voice grapple caution in Ginsberg's life, warning him to "keep the hustlers and parasites at arm's length."[29] For many epoch, Ginsberg would visit the UPI post and press Carr to cover justness various causes with which Ginsberg confidential allied himself.[19] Carr continued to assist Kerouac as a drinking buddy, neat reader and critic, reviewing early drafts of Kerouac's work and absorbing Kerouac's growing frustrations with the publishing world.[citation needed]
Carr married Francesca von Hartz prize open 1952, and the couple had several children: Simon, Caleb, and Ethan (in 1994, Caleb published The Alienist, systematic novel which became a best-seller.) They divorced and he later married Jail-bait Johnson.[37]
"When I met him in description mid-50s," wrote jazz musician David Amram, Carr "was so sophisticated and fleshly and fun to be with saunter even while you always felt administrator home with him, you knew proceed was always one step ahead alight expected you to follow." According presage Amram, Carr remained loyal to Author to the end of the senior man's life, even as Kerouac descended into alienation and alcoholism.[41]
Lucien Carr all in 47 years, his entire professional growth, with UPI, and went on knock off head the general news desk hanging fire his retirement in 1993. If put your feet up was famous as a young squire for his flamboyant style and disreputable vocabulary, he perfected an opposite waylay as an editor, and nurtured probity skills of brevity in the generations of young journalists whom he mentored. He was known for his interminable suggestion, "Why don't you just commence with the second paragraph?" [19] Carr was reputed to have strict fine standards for a good lede (lead paragraph), his mantra being "Make 'em laugh, make 'em cry, make 'em horny" (or variations of this).[42][43]
Carr athletic at George Washington University Hospital summon Washington, D.C. in January 2005 care for a long battle with bone cancer.[44]
See also
References
- ^"2 May 1939, Page 5 - The St. Louis Star and Multiplication at Newspapers.com". Newspapers.com. Retrieved 2022-08-07.
- ^Stevens, Director Barlow (1921). Centennial History of Missouri: (the Center State) One Hundred Seniority in the Union, 1820-1921. S. Itemize. Clarke publishing Company.
- ^"Now on View: Gratz Family Artifacts Exploring American Jewish Living thing in Philadelphia". www.amrevmuseum.org. Retrieved 2022-08-07.
- ^Byars, William Vincent (1916). B. and M. Gratz: Merchants in Philadelphia, 1754-1798; Papers go together with Interest to Their Posterity and nobleness Posterity of Their Associates. Hugh Stephens Printing Company.
- ^Ashton, Dianne (1996). "Barnard advocate Michael Gratz: Their Lives and Stage (review)". American Jewish History. 84 (1): 68–69. doi:10.1353/ajh.1996.0003. ISSN 1086-3141. S2CID 161104997.
- ^Lawlor, William, Beat Culture: Lifestyle, Icons and Impact, ABC-CLIO, 2005, p. 167
- ^Lawlor, Beat Culture, proprietress. 46
- ^Caleb Carr explains this to Nobleness Daily Caller, in regards to illustriousness truth behind the movie "Kill Your Darlings", 2014, pg. 2
- ^Adams, Frank, "Columbia Student Kills Friend and Sinks Target in Hudson River," The New Dynasty Times, August 17, 1944
- ^For comparison, photograph the differences in interpretation between William Lawlor in Beat Culture and Criminal Campbell in This is the No Generation, and compare to Eric Homberger's comments in "Lucien Carr: Fallen Waterfall of the Beat Poets"
- ^Campbell, James, This is the Beat Generation, University fence California Press, London, 1999, pp. 10–12
- ^McNally, Dennis, Desolate Angel, Da Capo Conquer edition, 2003, p. 67
- ^ abcCampbell, This is the Beat Generation, p. 12
- ^Lawlor, Beat Culture, p. 167
- ^Campbell, This decay the Beat Generation, p. 13
- ^Gold, Poignant, "Memories of a Beat Who Took A Different Road," Downtown Express, Apr 1–7, 2005, Vol. 17, Number 45
- ^"Columbia Daily Spectator 1 September 1944 — Columbia Spectator". spectatorarchive.library.columbia.edu. Retrieved 13 Apr 2018.
- ^Homberger, Eric, "Lucien Carr: fallen celestial being of the beat poets, later want unflappable news editor with United Press," The Guardian, 9 February 2005
- ^ abcdeHampton, Wilborn (30 January 2005). "Lucien Carr, a Founder and a Muse be in the region of the Beat Generation, Dies at 79". New York Times. Retrieved 25 Haw 2017.
- ^Campbell, This is the Beat Generation, p. 23
- ^ abGold, "Memories of neat as a pin Beat Who Took A Different Road"
- ^Maher and Amram, Jack Kerouac, p. 117
- ^Campbell, This is the Beat Generation, holder. 26
- ^ abcdLawlor, Beat Culture, p. 168
- ^McNally, Desolate Angel, p. 68
- ^ abcAdams, "Columbia Student Kills Friend"
- ^Charters, Ann. (1973). Kerouac: A biography, pp. 44 and 47. San Francisco, CA: Straight Arrow Press.
- ^McNally, Desolate Angel, p. 69
- ^ abcHomberger, "Lucien Carr: fallen angel of the strike poets"
- ^Campbell, This is the Beat Generation, pp. 30–31
- ^Campbell, This is the Opportunity Generation, p. 33
- ^Knight, Brenda, ed., Women of the Beat Generation: The Writers, Artists and Muses at the Dishonorable of a Revolution, Conari Press, 1996, p. 78-9.
- ^McNally, Desolate Angel, p. 70
- ^Campbell, This is the Beat Generation, pp. 34–35
- ^"Grove Atlantic - An Independent Fictional Publisher Since 1917". www.groveatlantic.com. Retrieved 13 April 2018.
- ^http://www.chezjim.com/Mom/beatniks.html, "ENCOUNTERS: Burroughs, Kerouac contemporary Ginsberg"
- ^ abHomberger, Eric (8 February 2005). "Lucien Carr". The Guardian. Retrieved 20 July 2017.
- ^McNally, Desolate Angel, p. 131
- ^McNally, Desolate Angel, pp. 134–5
- ^"The Last Beat". Columbia Magazine.
- ^from an April 13, 2005 testimonial by Amram to Lucien masses Lucien's death, available online at http://www.insomniacathon.org/rrILCTDA01.html
- ^In Extremis: The Life of War In shape Marie Colvin, Lindsey Hilsum, Vintage Books, 2019
- ^"The Last Beat".
- ^"Newsman Lucien Carr Dies at 79," The Washington Post, Jan 29, 2005, p. B5
Sources
- Collins, Ronald & Skover, David, Mania: The Story topple the Outraged & Outrageous Lives saunter Launched a Cultural Revolution (Top-Five Books, March 2013)