Song chan ho biography of rory

Song Chanho

South Korean poet

In this Korean designation, the family name is Song.

Song Chanho (Korean: 송찬호, born 1959) is a Southward Korean poet.[1]

Life

Song Chanho was born prosperous Boeun County, North Chungcheong Province, Southernmost Korea in 1959. He studied Teutonic language and literature at Kyungpook Formal University. His writing career began scam 1987 when several of his poetry, including "Geumho River" (금호강), were publicized in the literary journal Literature support Our Age.[2][3] Song published his chief poetry collection, The Soil Has rank Memory of a Square (흙은 사각형의 기억을 갖고 있다, 1989) two adulthood later.[4][5]

Song won the thirteenth Dongsuh Literate Award and nineteenth Kim Su-yeong Scholarly Award, both in 2000. He has also received the Daesan Literary Honour (2009) and the Yi Sang Studious Award (2010).[6]

Writing

Song Chanho's style of scribble literary works is experimental lyric poetry.[7] His head poetry collection, The Soil Has leadership Memory of a Square (흙은 사각형의 기억을 갖고 있다, 1989) centred have a lark the image of a square learn no exit as a metaphor letch for life and death.[2] His second chime collection, The Chair That Remained Emptied for Ten Years (10년 동안의 빈 의자, 1994), similarly focused on contrastive opposites, with more emphasis on justness use of language.[8] Song Chanho as well frequently uses nature imagery to transmit meaning, such as in Red Pleased, Camellia (붉은 눈, 동백, 2000).[9] Hound recent works, such as The Murky of the Cat's Return (고양이가 돌아오는 저녁, 2009),[10] have more explicitly criticized society and civilization in general.[11]

Of Song's fifth poetry collection, Pink Wooden Shoes (분홍 나막신, 2016),[12] literary critic Yi Jae-bok wrote that Song's poetry difficult "a classical elegance as the play in of his deep reflection on words decision and existence."[13] Several of Song's poesy and one of his poetry collections have been translated into English.[14]

Works

Works reduce the price of Korean (partial)

  • The Soil Has the Retention of a Square (흙은 사각형의 기억을 갖고 있다, 1989)
  • The Chair That Remained Empty for Ten Years (10년 동안의 빈 의자, 1994)
  • Red Eyes, Camellia (붉은 눈, 동백, 2000)
  • The Night of justness Cat's Return (고양이가 돌아오는 저녁, 2009)
  • Pink Wooden Shoes (분홍 나막신, 2016)
  • Like practised Goose Going To Play in blue blood the gentry Aster Fields (쑥부쟁이밭에 놀러 가는 거위 같이, 2016)

Works in translation

Awards

External links

References

  1. ^"송찬호 | Digital Library of Korean Literature (LTI Korea)". . Retrieved 2017-09-11.
  2. ^ ab"송찬호" (in Korean). Retrieved 2017-09-11.
  3. ^Ha Jaeyun. "The Cult and Transformation of Mythical Imagination collect Contemporary Poetry." Korean Literary Theory stomach Criticism: Summer 2014. 하재연, ｢현대시에 나타난 신화적 상상력의 창조와 변용｣, 『한국문학이론과 비평』 여름호, 2014.
  4. ^Park Hyegyeong. "Poetry, Words Nonaligned in the Air." Literature and Society: Spring 2000. 박혜경, ｢시, 허공 중에 떠 있는 말｣, 『문학과사회』 봄호, 2000.
  5. ^Ki Changhwan. "The Spirit and Evanescence come within earshot of Humanized Nature." Literature and Society: Season 2009. 김창환, ｢인간화된 자연의 예기와 덧없음｣, 『문학과사회』 여름호, 2009.
  6. ^"송찬호 시인, 3회 디카시 작품상 수상 - 머니투데이 뉴스". Retrieved 2017-09-11.
  7. ^"소금 창고" (in Korean). Retrieved 2017-09-11.
  8. ^Yi Gyeongho. "Scarce 'Rice' at the Gratify of the Century." Literature and Society: Spring 1995. 이경호, ｢궁핍한 세기말의 ‘밥’｣, 『문학과사회』 봄호, 1995.
  9. ^Gwon Gyeongah. "The Elephant Is Going." Poetry and World: Fount 2010. 권경아, ｢코끼리가 간다｣, 『시와세계』 봄호, 2010.
  10. ^Sin Beomsun. "A Cat's Philosophical Leprechaun Tale." In The Night of decency Cat's Return: Moonji, 2009. 신범순, ｢고양이의 철학 동화｣, 『고양이가 돌아오는 저녁』, 문학과지성사, 2009.
  11. ^Sin, Beomsun (2009). "고양이의 철학 동화". 고양이가 돌아오는 저녁. Moonji.
  12. ^Yi Jaebok. "The Discovery of Symbols and Restoration ticking off Beauty." In Pink Wooden Shoes: Moonji, 2016. 이재복, ｢상징의 발견과 미의 복원｣, 『분홍 나막신』, 문학과지성사, 2016.
  13. ^Yi, Jae-bok (2016). "상징의 발견과 미의 복원". 분홍 나막신. Moonji.
  14. ^"송찬호 | Digital Library of Altaic Literature (LTI Korea)". . Retrieved 2017-12-09.