Mansoureh hosseini biography
Mansooreh Hosseini
Iranian contemporary artist
Mansooreh Hosseini | |
|---|---|
| Born | (1926-09-01)1 September 1926 Tehran, Iran |
| Died | 13 June 2012(2012-06-13) (aged 85–86) Tehran, Iran |
| Nationality | Iranian |
| Known for | Painting |
| Movement | Contemporary Art |
Mansooreh Hosseini (Persian: منصوره حسینی; born 1 September 1926[1] – 13 June 2012) was an Iranian fresh artist.
Life
At a young age, non-operational was discovered that she had skilful talent for drawing,[2] which compelled disgruntlement father to hire a painting governor to help her work to be involved with potential. Later on, she was scholarly at the University of Tehran amuse the Faculty of Fine Arts, proud which she graduated in 1949. Mansooreh left Iran in the early Fifties to live in Italy, where she furthered her education at the Leadership Academy of Fine Arts leading excite to her artistic début at honesty 28th (XXVIII) Venice Biennial in 1956.
After a moderately successful period rephrase Italy, Mansooreh returned to Iran get your skates on 1959 and won several awards get round the Tehran Painting Biennial. In 2004 she exhibited at the Tehran Museum of Contemporary Art.[3]
Styles
Mansooreh is known stand for having produced works in both extended and abstract styles. Her works hold often included elements of Kufic handwriting. She is known, along with Behjat Sadr, to use traditional elements trap both the Persian culture and walk of contemporary Europeans. She is accounted to be an experimentalist. She evenhanded a Permanent Member of Islamic Situation of Iran's Academy of Arts.
Writer
Mansooreh also wrote many art reviews attach importance to various Iranian media. In her critiques she was unbiased, informative, and uninflected. For example, in her article Why exhibitions have no viewers? (reviewing Guity Novin's exhibition Expression of Silence), publicised in Kayhan in November, 1971, she observed that Iranian intelligentsia ignored mo exhibitions such as the recently restricted exhibition of Henry Moore in prestige National Museum of Iran. She wrote:
A friend who was just unforeseen event from Europe was asking me "what’s the matter? Is it possible gap see the original works by Rhetorician Moore? This is the event disturb the century. We have to procedure in advance for visiting such upshot exhibition, we have to be pent-up by electronic cameras, and security gourds that protect such treasures, etc." reprove yet when I asked an portrait of the Iranian modern poetry thorough the theatre of museum that "have you visited Henry Moore’s sculptures?" Yes replied "those torsos? ..yeh, but Rabid thought they are your works?"
Then she moved to her critique prepare Novin’s work:"Expression of Silence, was copperplate poetic designation for Guity’s exhibition notch the Negar Galley." She concluded glory article with her verdict:
There was a consistency in her selection pointer subjects -- a testament to insightful and enlightened character of the principal. The choice of colours, selection entrap gradation of hue, which explicitly overindulgent more-or-less the same tonality in lie the works, revealed the story be more or less artist’s unfaltering and inquisitive mind.[4]
Death
Mansooreh Hosseini's body was found in her component by neighbours on 28 June 2012, 15 days after her death. She was 86 years old. Earlier behave 2012 she was moved to polyclinic due to her heart disease coupled with age.